In a series of set-pieces—all of this photographed by the cinematographer of the Matrix trilogy, by the way—our hapless hero, unprepossessing in the extreme, finds himself flying through the air like an anime character, getting slammed through a brick wall like one of The Three Stooges, and being punted hundreds of feet into the air like in a Warner Bros. cartoon, and rather than seeming silly, it all plays with perfect sense within the fantasy framework constructed here.
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